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The Oresteia of Aeschylos and Satre's The Flies
Jakimiv, Vít ; Fischerová, Sylva (advisor) ; Bažil, Martin (referee)
The thesis aims at comparison of the poetics of Aeschylus' trilogy The Oresteia and Sartre's drama The Flies. In the first part we effectuate evaluation of the state of research as well as division and criticism of some prominent approaches. We observe in particular the limitations imposed on the comparative analysis taking its point of departure from such broad concepts as 'fate', 'freedom' and 'tragedy'. Our considerations are guided primarily by Sartre's theoretic writings on theatre and tragedy. In the second part we accomplish analysis of poetic structures discovering resemblances in the function carried out by single poetic factors in the overall structure of the drama. Notable links appear in the way of utilization of associative networks operating at the level of imagery and metaphor, which in both cases are inseparable from the particular manner of developing the action.
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The Temporary Inferno of Didier-Georges Gabily's Works
Preslová, Natálie ; Christov, Petr (advisor) ; Sarkissian, Alena (referee)
The content of this thesis is the work of French writer of theatrical dramas, director and acting teacher Didier-Georges Gabily (1955-1966). The first part is overall analysis of his dramatic texts (based on my own reading and studying of plays, author's notes on his work, and secondary documents) taking into account the process of writing. The second part deals with Gabily's staging principles and his work with actors, since both are directly related to the text writing. The aim of the work is to introduce Gabily's writing in context of the French theater, capture the important aspects of his work and subsequently outline the way it was created and staged.
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The Oresteia of Aeschylos and Satre's The Flies
Jakimiv, Vít ; Fischerová, Sylva (advisor) ; Bažil, Martin (referee)
The thesis aims at comparison of the poetics of Aeschylus' trilogy The Oresteia and Sartre's drama The Flies. In the first part we effectuate evaluation of the state of research as well as division and criticism of some prominent approaches. We observe in particular the limitations imposed on the comparative analysis taking its point of departure from such broad concepts as 'fate', 'freedom' and 'tragedy'. Our considerations are guided primarily by Sartre's theoretic writings on theatre and tragedy. In the second part we accomplish analysis of poetic structures discovering resemblances in the function carried out by single poetic factors in the overall structure of the drama. Notable links appear in the way of utilization of associative networks operating at the level of imagery and metaphor, which in both cases are inseparable from the particular manner of developing the action.
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Good concept at classical greek philosophy and literature
Fleischerová, Andrea ; Blažková, Miloslava (advisor) ; Hauser, Michael (referee)
The matter of the Good in classical Greek philosophy and literature is so important and extensive that it can hardly be covered in one document. Therefore the aim of the first part of the thesis is to express both fundamental context and critical attitude towards the concept of the Good in the philosophy of Socrates, Plato and Aristotle. The second part provides a coherent perspective on the development of archaic literature in terms of forming the idea of gods, virtues, good and evil in classical Greek epic and tragedy. Theoretical basis of the thesis relies on the studies of important philosophers, literature historians, religionists and mythologists, whose views are connected systematically or outlined comparatively in corresponding chapters. Both main parts of the thesis are divided into chapters which follow in logical sequence. The thesis is theoretical and corresponds to the assigned topic.
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